Opium - Jan 26 2007
The twenty-first century has already seen many tragedies, dear readers, and one of its greatest is occurring right now in
What can we in the West do to help these poor people? Send in more troops? Perhaps. Build schools and hospitals? Maybe. Pursue chemical self-transcendence for artistic means? Most definitely.
With all this talk of suicide bombings and dead Canadian soldiers, it is easy to lose sight of the positive results of the Taliban’s removal from power. We are so quick to forget the dramatic reemergence of
Indeed, poppy cultivation for the purpose of Opium production was greatly reduced during Taliban rule, banned by leader Mullah Omar on religious grounds. Following ‘liberation’ by the Western forces and due to a lack of any effective policing system, Afghan warlords (or “entrepreneurs”) were free to reclaim their stake in this profitable industry. Since 2001, production of opium has increased from 74 metric tonnes per year to an astounding 6,100 tonnes in 2006. This year the opium trade is expected to pump seven billion dollars into
There is, however, a bit of a problem. Opium’s production in the Central Asian country is technically considered “illegal”. This is largely due to the fact that it isn’t regulated and usually ends up being converted into heroin for sale in
Recently, a European think tank suggested Afghan farmers be licensed to produce opium for the world pharmaceutical market, thus avoiding conversion to heroin and tapping into the considerable market for prescription opioid. A good idea, perhaps, but unlikely due to corruption issues in
Fear not, my friends; I have a much better idea. Sanction the export of pure opium but bypass the whole medicinal aspect. Legalize opium in the West and market it as a cure for modern artistic malaise.
Think, dear readers, what powered the Victorian era? Steam, yes, but what else? Opium. It was this magic ambrosia, this sacred manna that launched a golden age of British literature, inspiring such great minds as Oscar Wilde, Alfred Lord Tennyson, and Edgar Allen Poe. The great poet Samuel Taylor Coleridge described opium as “a means of escaping from pains that coiled around my mental powers, as a serpent around the body and wings of an eagle.” Thomas de Quincey called the drug “a panacea for all human woes; here was the secret of happiness, about which philosophers had disputed for so many ages, at once discovered.”
Opium was once considered a powerful tool which took its users into a dream state, increasing visionary awareness and allowing them to see with “an artist’s eye”. Disregarding the vomiting, frailty, profound depression, sense of utter darkness, horrifying ‘opium dreams’ and distorted conceptions of time and space that followed sustained use of the drug, opium was practically a gift from God, utilized by artists to achieve visions akin to those of William Blake and Thomas Aquinas. Truly magnificent stuff.
Now, I’ve been lobbying for the inclusion of Thomas de Quincey’s Confessions of an Opium Eater in High School English curriculums for a long time, but why not take the campaign a step further? The CIA estimates that one-third of


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